Renowned Canadian / International vocalist Holly Cole released her 13th studio album, Dark Moon, on January 24th. Teaming up with her long-time live performance partners, along with additional musicians to create rich harmonies and layers, this album is a true ensemble project that highlights her signature style. Dark Moon is available via Rumpus Room/Universal Music Canada.

Cole said, “I really wanted this album to embrace the spirit of spontaneity. At the same time a quintessential part of the sound of my music is in the arrangements. So, we did very little rehearsal in advance, and the songs were incredibly fresh for us while we were in the studio. The musicians that I play with contribute greatly to the arranging of the songs, and I wanted to hear the sound of when the light goes on for each one of us and many of the arrangements fell together as we played them. What we end up hearing on this record is the moment when we discover what we love about the song, and what its essence is for me.” 

Holly Cole isn’t one of those artists who falls into any one category. Her smoky voice is sultry, her arrangements smart and sexy and all the while she and her musicians very uniquely reshape traditional Jazz, Pop and Country standards this time particularly from the New American Songbook writers including Marty Balin, Peggy Lee, Hal David, Burt Bacharach and Johnny Mercer.

The ensemble that Holly has brought together to help create and perform on Dark Moon includes long time live performance / recording mates, Aaron Davis (piano), George Koller (bass), Davide Direnzo (drums) and John Johnson (saxophone). Add to that the brilliance of sometime accompanist’s including guitar master and provocateur Kevin Breit and on harmonica two-time Grammy winner and original member of Bella Fleck and the Flecktones, Howard Levy and finally the wonderful three-part 1950’s Nashville style harmonies of the Good Lovelies. Together they define the absolute best in “ensemble playing”! 

The first featured single is ‘No Moon At All’ is an up-tempo, sexy version of the track originally recorded by Peggy Lee that features a wonderful Howard Levy (2-time Grammy winner, friend, and original member of the Flecktones) harmonica solo.
 

 

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